Monday, October 30, 2006

A NEW ME: Ten Prescriptions for Changing Myself

Note: This post has been published by Blogbharti.
A dentist-friend recently emailed me a few prescriptions on how I should go about changing myself. Not surprisingly, he holds me singularly responsible for my father's ouster from office. [Papa's government was voted out of power from Chhattisgarh in December 2003: thus began our family's over three-year long 'winter of discontent'.] As things stand, he is not alone in thinking so: Ms. Saba Naqvi, writing for the Outlook magazine, described it rather succintly as 'son-stroke'. I am taking the liberty of publishing these prescriptions followed by the ATR (action taken report) in brackets. I hope that readers of this blog will be gracious enough to offer similar constructive suggestions of their own.

AJ



1. Change your photo of a dreamer to a smiling one in your blog site.[What do you think of this one?]

2. Don't write too much on your site, keep it short and simple - so that people can understand and correlate you with themselves. [Visitors will note that posts have gotten shorter, and the language simpler]

3. Don't project yourself to be a cut above the rest - example your favourite movies, music or books you have read/written, to tell you bluntly - no one is frankly interested, all your Orkut friends will try to flatter you, citing your vast knowledge. You should try to project yourself as a normal human being, with whom people can resemble themselves. People of Chhattisgarh don't understand French, they understand Chhattisgarhi. [Interests are listed to form associations with like-minded people; nothing else]

4. Try to win peoples heart rather than trying to brainwash and hijack the brain of 'Boley - Bhaley' people of Chhattisgarh. [How does one win people's hearts? I thought the best way to go about it was by being absolutely honest: telling precisely what I feel. This is what I've done in my blog.]

5. It is not necessary that you serve the people of Chhattisgarh if/when you are in power. When in opposition, your voice is heard more, and seems to be genuine, it's the right time for image building. [Totally agree]

6. It will look as opportunist when you start saying something just 1 year before elections, people's memory is not short, esp. in Chhattisgarh. [Yes]

7. Explain/Describe 1 point at a time, in simple manner to the people, to make it reach their heart. This mistake was done by your father too, I think, so much was tried to explain to people in such a short span, that always it went over their heads. In his first term itself, he opened all his cards. The upper caste people became afraid for their existence in the state. [see point no. 2]

8. No doubt you raise voice for tribals in the state, what about people of other communities, who have worked hard and grown here. If you are a projected leader of Chhattisgarh, you have to represent everyone. Raise voice for upper caste people too, sometimes they are also deprived of justice. [Yes: when specific instances of injustices are brought to my notice against anyone, including people from 'the upper castes', I make it a point to raise it. See for instance, the blog entry on 'A Killing in Dornapal', which describes the killing of a Bengali shopkeeper by a soldier of the armed forces]

9. Move in a two-wheeler, everywhere in Chhattisgarh, (except Bastar) [For a variety of reasons, I am not allowed to drive. Also, I don't own a car. So I have to depend on friends for my transportation needs. Despite warnings to the contrary, I do not have security. The two-wheeler idea does sound good though, if my family- especially Papa after his accident- will permit me]

10. Time is less, Congress is fast loosing ground in Chhattisgarh. It is getting 'Disconnected' and 'Disoriented' from the common man at a fast pace. The Kauravs have again started spreading propoganda at public places against Congress. Who else except you, has to rise, seize the opportunity and show people the way...[If anything has to be done, we have to do it together. I cannot do it alone. I realize my limitations]

to be continued..

Sunday, October 29, 2006

SHOWCASE: FOUR SELF-PORTRAITS


Title: Self in Technicolor
Date: November 11, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi




Title: Self in Technicolor- Sepia imprint
Date: October 29, 2006
Place: Anugrah, Raipur
Artist: Amit Aishwarya Jogi




Title: Trial- At the Court of III ASJ Mr. Shiv Mangal Pandey
Date: November, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi



Title: Cellular
Date: November 11, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi

PLAY: (A) Indian Express on Chal Bé Kapadé Utar

Note: Today's Indian Express newspaper carries a feature on my forthcoming play entitled Chal bé kapadé utar. It was written during the time I was incarcerated in Raipur Central Jail, and is being directed by Mr. Rajkamal Naik of Koutuk. The sketch at the bottom is of Dilip Chhatri, C.O. (Convict Overseer), who is its principal character.


Express News Service

Meet Jogi jr, playwright post-prison

Nitin Mahajan
Posted online: Sunday, October 29, 2006 at 0000 hrs

Raipur, October 28: Chal be kapde utaar (go on, take off your clothes).” These are the words every new entrant in a prison here hears. This is also the title of a play by Amit Jogi, son of former Chhattisgarh chief minister Ajit Jogi, who was an inmate of the Raipur Central Prison for about 10 months.

Amit had been booked for the murder of NCP treasurer Avtar Singh Jaggi.

The play, compiled from Amit’s notes during his 10-month stay at the prison, attempts to portray life inside prison. According to junior Jogi, the literary attempt is an effort to come to terms with reality; the inhuman environment, rampant homosexuality inside the prison walls and gang politics.

The characters in the play tell their own story. One of them is implicated for murder while another is an innocent person who has been booked under a false case and forced to spend the best years of his life in prison. Refusing to clarify whether one of the characters in the play was based on himself, Amit said he wanted to bring out the real prison life in a form accessible to everyone.

“Despite tall claims about prison reforms, the situation within the confines is shockingly different,” Jogi said.

“Once inside the walls, everyone feels naked as penetrating eyes are always looking at each and every action of the inmates,” he added, explaining the title.

Thursday, October 26, 2006

POETRY: (A) Liable (translated from Hindi)

Note: In the translation, I have put the poem’s context in a distant past. The reason is simple: verses for the Hindi came to me while I- the man ‘in a box of wood’- stood in the courtroom. The English translation was done when those verses, once alive, had become stilled, in the solitude of my cell. [Photograph below shows 'a poet in court', courtesy The Hindu Newspaper]



Caught in a web of words
A worried man once stood
In a box of wood:
Martyr
Drunk in Silence’s Embrace.

If he heard something, he nothing said
If he said, nobody anything heard:
The why O why
Did that Man’s shadow-
Like Moon fallen from the Sky
Upon a River of Tears- by itself flow
Through terrified vales
Of terrible tales?

As if he had known
From Centuries before
Destiny’s Destination.


Raipur Central Gaol,
March 3, 2006

Sunday, October 22, 2006

From One Computer to Another: Shubh Diwali, Eid Mubarak etc...

Note: This post has been published in Blogbharti.
A Dumbed-down Deepavali?

This holiday season, I shall not talk of the significance- the multiplicity of meanings- of religious festivals for our times, ‘when the globe has shrunk to about the size of a grapefruit’, or even the symbolism of ‘the happy coincidence’- it’s not every year that Diwali and Id are celebrated one day after the other- as a Divine Call to strengthen interfaith harmony against teeming mutual suspicions and xenophobias. I will instead deliberate briefly on the role of communications technology in transforming interpersonal relationships during festivals: put simply, I will look at the way the Internet- emails, instant messages (IMs)- and SMSs have changed the way we ‘greet’ each other.

Unhappily enough, I’ve been in bed: the consequence of a viral epidemic. Hence my capacity to respond to the countless emails, SMSs, scraps and messages I’ve received has become rather limited. As always, technology, the contemporary Super Man, comes to the rescue: all I’ve to do is type this down, and with a click of a button, everybody who I’ve ever known is blissfully reading this, soaking in the warmth of my good wishes- or not. This is where I’m wrong: the chances that anyone of my recipients will actually read all the way down to this is, for lack of a better word, zilch. I console myself: after all, it’s the gesture- the sentiment- that counts. They will at least know that I responded, if not how precisely I did so.

Three trends can be discerned from what I’ve just described. First, ‘content of communication’ has become secondary to the ‘act of communicating’ itself. We don’t read because we pretty much know in advance, even before the SMS icon flashes on the mobile screen, what to expect. It’s got nothing to do with empathy or even telepathy. The messages, they’re all the same. This brings me to the second point: much as I hate to use the expression, the commonality of content- the way one man’s received message becomes another's forwarded message, forming ‘message-chains’ long enough to cover the distance from here to that recently discovered but still unnamed planet beyond Pluto (in some cases, we don’t bother to alter the sender’s name from the plagiarized text-body)- is reflective of a collective ‘dumbing down’. Quantity, as we all know, cannot be a substitute for Quality.

Last and most troubling, I’m compelled to ask: has digital technology replaced personal obligation? Look at it this way, I might just be dead inside my bed, but my computer- that sweet, super-intelligent entity happily humming away on my desktop- will not fail in its duty to send you this, just as your computer or mobile will not fail in its duty to shoot off an instant reply. Machines greeting each other? Is this what our festivals have dumbed down to?

With that thought, I wish you Happy Holidays!

AJ

Film Recommendations for Diwali and Id

Looking for God
I’ve spent this Diwali in bed, thanks to an epidemic of viral fever. My namesake, Amit Tiwari, brought home three DVDs to keep me entertained during the few waking hours I’ve before the relay-course of medications begin to make me drowsy all over again: Woody Allen’s Match Point, Duncan Tucker’s Transamerica, and the French-Canadian filmmaker, Jean Marc Vallée’s C.R.A.Z.Y. Unlike his previous recommendations, all of them were quite simply brilliant.

Mr. Allen’s film marks a break from his earlier repertoire: Match Point isn’t an ‘intellectually funny’ movie; it isn’t even set in New York. Put briefly, it’s the story of a tennis coach who must choose between lust (his passion for a struggling American actress) and happiness (marital bliss with a wealthy British heiress): or as the character played by Jonathan Rhys-Myer says, between ‘good and luck’. Ultimately, for Allen, good- and God- don’t exist. What’s more: in this case, we, the audience, don’t want Him to intervene, even as Mr. Rhys-Myer’s character turns wickedly immoral.

Mr. Tucker’s Transamerica explores the cross-country relationship between a transsexual woman, played superbly by Felicity Huffman, and her newly found bisexual hustler-son, played by Kevin Zeger. The scene when Ms. Huffman tells Mr. Zeger’s character that she is really his father is to die for. Again: Mr. Tucker, like Mr. Allen, irreverentially shuns all moral judgement, in what is essentially a celebration of Freedom of Expression.

Mr. Vallée’s C.R.A.Z.Y. is a sympathetic film about the childhood and youth of a Quebec man coming to terms with his sexuality, especially with relationship to his conservative family, which includes his parents and four brothers. The title of course is a tribute to Patsy Cline’s number, and becomes a character in itself in the movie. Once again, God remains notably absent; or if He does make his presence felt, it is in a most enigmatic- but ultimately redeeming- way.

I recommend them all highly.

Happy Holidays!

AJ

Wednesday, October 18, 2006

SHOWCASE: Anuj Sharma on Chhattisgarhi Film

फिल्म समाज का आइना होता है. जब मुझे अपनी पहली फिल्म "मोर छइंया भुइंया" (M.C.B.) का ऑफर मिला था तब मैंने कहा था कि "मैं धोती बंडी पहनकर गले में गमछा डाल कर पेड़ के किनारे नहीं नाचूँगा" और मैंने फिल्म के लिए मना कर दिया था. दूरदर्शन ने जो आम जनता के बीच एक छत्तीसगढ़िया आदमी को प्रेसेंट किया था वो या तो लेद्गा था या भकला,इसी बात ने मुझे भी इस जवाब को देने के लिए मजबूर किया था. जब फिल्म M.C.B. ने परदे पर एक साधारण छत्तीसगढ़िया परिवार की कहानी को दिखाया तो कहीं ना कहीं हर छत्तीसगढ़िया को ये कहानी अपने से जुड़ी हुई लगी, और फिल्म को अपार सफलता मिली.छत्तीसगढ़ी फिल्म में दर्शक जिस अपनेपन को देखने के लिए जाते हैं अगर उन्हें वो मिट्टी कि खुशबू नहीं मिलेगी तो फिल्म असफल ही होगी.
Anuj Sharma, film actor, in a post to JAI CHHATTISGARH

Translates as follows:
Cinema is the mirror of society. When I got the offer of my first film “Mor Chhainya Bhuinya” (MCB), I categorically said “I will not dance next to a tree, wearing a dhoti and a gamcha around my neck”, and refused to act in the film. The presentation of Chhattisgarhiya man as either a ledga (country-bumpkin) or a bhakla (nincompoop) by Doorsharshan among the common man compelled me to give this reply. When the film MCB showed the story of a simple Chhattisgarhi family on screen, then every Chhattisgarhi felt that its story is linked at some level with their own, and the film got unprecedented success. The familiarity which audiences expect when they come to see a Chhattisgarhi film, if they don’t get the smell of that mitti (earth), then the film will inevitably be unsuccessful.


To listen to this blogger speak to Anuj on the state of Chhattisgarhi cinema, listen to my Podcast of 26th July 2008.

अनुज शर्मा से मेरी बातचीत सुनने के लिए, मेरे २६ जुलाई २००८ के पॉडकास्ट को सुनें.
AJ

Naxalism: (J) DORNAPAL KILLING

A Bengali shopkeeper, Shekhar, was shot dead at point-blank range at Dornapal yesterday by ‘unidentified assailants’.

This is what really happened: a jawan (policeman) of the Naga battalion entered the shop with the purpose of buying an undergarment; the shopkeeper asked him Rs. 30 for it; the jawan insisted that he wouldn’t pay more than Rs. 15; a quarrel broke out between the two; the jawan took out his weapon, and fired. The abovementioned sequence of events has been confirmed by reliable sources, including eyewitnesses, who wish to remain unnamed.

As of today, the entire district administration, along with a certain Mr. Kushwaha, a Salwa Judum leader and Mr. Mahendra Karma’s Number Two, has been camping at Dornapal, trying to ‘persuade’ members of Shankar’s family to lodge an FIR (First Information Report) against ‘unidentified person(s)’.

This is the first specific case of human rights violation, involving directly a member of the armed forces, to have come to light, if only because the victim is a non-tribal. The shocking aspect is that this killing did not happen in a remote village but in the largest SJ ‘base-camp’, where more than 7000 uprooted tribals are being kept.


AJ

Personal: Roza Iftar at Home

The photographs here were taken at the Roza Iftar party hosted at our Raipur residence, 'Anugrah', on October 7, 2006.

Seated (left to right) Chaitram Sahu, MLA (Bhatapara); Dr. (Mrs.) Renu Jogi; Mrs. Veena Seth, First Lady of Chhattisgarh; H.E. Lt. Gen. K.M. Seth, Governor of Chhattisgarh; Mr. Ajit Jogi, MP; Mohammed Akbar, MLA (Virendranagar); Amarjit Bhagat, MLA (Sitapur). This blogger can be seen standing between the two elegant Ladies.

This blogger serving 'biryani' to the Rozdaars.

This blogger greets the Rozdaars after Iftar.
AJ

Monday, October 16, 2006

NAXALISM: (I) A CONGRESS RETHINK ON SALWA JUDUM?

Mrs. Sonia Gandhi, the UPA leader and Congress President, addressed a public meeting at the Rajkumar College Ground, Raipur on October 14 2006. This was her first visit to Chhattisgarh after the formation of the UPA Government at Delhi. In her speech, she categorically said that 'a new approach' is needed to address issues raised by Naxalism; she also stated that development of tribal regions, and not guns, are the solution to what is principally 'a socio-economic problem'. [This incidentally is the conclusion- and recommendation- made by the AICC Task Force constituted by her to study various aspects and possible solutions of the Naxalite issue.]

Most political commentators noted that Mr. Mahendra Karma, the leader of state-sponsored Salwa Judum (SJ), found himself isolated: not one person from the Bastar delegation, including the two Congress MLAs (Mr. Kawasi Lakma from Konta and Mr. Rajendra Pambhoi from Bijapur) whose constituencies have been most affected by the SJ-Maoist conflict, supported the continuance of the Union's (read: Ministry of Home Affairs) support to SJ.

What I would like to know of course is this: will the tribals be allowed to return to their villages, if and when they are permitted the option of leaving SJ base-camps, in which they continue to languish under the most inhuman conditions? For unless that happens, there can be no end to the madness that rages in Dantewada.

Regards,
AJ

Sunday, October 15, 2006

Personal: Papa-Mummy's 31st

The photograph here shows (from left) this blogger, Papa and Mummy at an informal luncheon hosted at our Raipur residence to celebrate their 31st wedding anniversary on October 8, 2006. On the background wall, are two photographs of my late sister, Anusha.

I wish them many, many more happy years together!


AJ

Thursday, October 12, 2006

Restoring Muraliguda: The Tribal Bill, c. 2005

Note: This was the last article I had written before going to jail in July last year. It is reproduced here without any changes. The Tribal Bill is still pending passage by the Parliament. Certain things never seem to change.

Inset: A Young Bastar Maharaja


The end back to its beginning,
The beginning back to its end

Anusha Jogi,
“Aitia” (unpublished)


(1)

Mangoes the Size of Watermelons

Not far from Konta- the southernmost frontier of Chhattisgarh- is a tiny hamlet that has mangoes the size of full-grown watermelons, and just as juicy. To reach it, you’ve to take a left from the Dhaba- the only one on the Konta-Sukma stretch of the National Highway, and perhaps even more creditable, managed entirely by a group of robust women- and then go past the bombed-ruins of a Panchayat building and twisted-gnarled electric-poles until a point where the road suddenly ends. From here on, follow your nose, or if you’re instincts have already abandoned you, then simply listen to the sound of water until you spot a circular mud-hut with a conical bamboo-thatched roof. [This, as the erudite observer might have guessed, is- or was- a ‘Gotul’.] You’ve reached Muraliguda. Do not be frightened by the absence of humans. Just outside that hut, is a menacing-looking rod. Pick it up and start beating the animal-skin covered drum, hung from the centre of the hut’s ceiling.

A fraternity of adolescents should appear, equipped with bows-and-arrows. You know almost instantly that they’ve been out on a hunt: feathers still stick at the corner of one member’s lips, revealing that the creature’s consumption was accomplished in somewhat sloppy haste. Confront them for confirmation: tribals, as a rule, make bad liars. Then, if you’re really lucky and get them to trust you- as I did- they might even teach you how to shoot arrows. Spend some more time with them and you’d find your legs wrapped midway around a tall tree-trunk as one of them pours cold, white salphi into your gaping mouth from a vessel that is nothing but the sun-dried hollow of a pumpkin.

Now, isn’t that a Kodak-moment?

Scratch the surface, and the idyll cracks: none of these adolescents have heard of school; most of them haven’t been beyond Konta; malaria is commonplace; there isn’t one manned primary healthcare centre in a fifty-mile radius; the road exists only in one’s imagination; only recently, my salphi-offering friend’s mother died in childbirth. You want to do something- anything- to make their life less intolerable, but they tell you that there’s nothing one can do. Didn’t the Mahatma proclaim that ‘India lives in her villages’? Not here, in Muraliguda: India dies, many, many times over. Building that road, you see, would mean cutting down thirty-seven trees and trimming four hundred and sixty-seven branches. And the PHC and the school and the electricity, well don’t even think about it: whatever would happen to the Bastar-bison? And what of India’s future, the sustainability of our endangered ecologies, the continued survival of our species on this planet? Surely, saving the lives of Muraliguda-mothers and building a future for their children isn’t worth putting so much at risk? In a world where everything is about choices made after careful cost-benefit analysis, I guess not- but that’s not the point.
Read More (आगे और पढ़ें)......

Wednesday, October 11, 2006

Obituary: Kashi Ram: The March of the Blue Elephant

Note: The Hindi translation of this obituary can be also be read by clicking HERE.

With the demise of Kashi Ram, India has lost its strongest hope of having ‘a Dalit Prime Minister.’ I remember visiting him with my father at Delhi’s Ganga Ram Hospital almost three years ago: typically, he spoke with his eyes, at once vacant and watery. When we got up to go, he tugged at my hand, asked me to come closer, and whispered into my ear: “tumko ladna hai” (you’ve to fight).

Uncle Tom’s Savior

Mr. Ram’s followers claim for him the mantle of our nation’s most celebrated Dalit icon credited as ‘the father of India’s Constitution’, Babasaheb Bhimrao Ambedkar. It is a comparison that he might not have wholly agreed with: no doubt, he was publicly unabashed in his devotion to the Cult of Babasaheb, even to the extent of raising it to a form of religion; yet this devotion wasn’t blind. His true greatness, in my opinion, lies in his ability to identify his Hero’s principal shortcoming: put simply, unlike Mahatma Gandhi who emerged as ‘the Sole Spokesman’- to adapt Ayesha Jalal’s evocative phrase for Mohammed Ali Jinnah- of the Indian National Congress, Babasaheb was a Leader without the backings of an Organization, which could take his message to every part of India. Mr. Ram spent the last four decades of his life doing his best to remedy this.

My father remembers him coming to Shahdol in the mid-1970s: at the end of his week-long tour of the remote Baghelkhandi district, whose politics is even today dominated by an endless and often ruthless struggle between Thakurs and Brahmins, he had run out of money to pay for his third-class railway fare to wherever he had planned on going next. What he did next reveals a lot about how he almost single-handedly gave birth to the Dalit Movement of India: at the break of dawn, he was at the Collector’s Bungalow, demanding- no, commanding- that its tribal occupant- my father- get him his ticket. The question isn’t so much about whether my father obliged (to set the record straight, he did) but much more significantly, why?
Read More (आगे और पढ़ें)......

Saturday, October 07, 2006

Film Review (C): Lagé Raho Gandhi Ji


INTRODUCTION: The Iconic Context
To make Gandhi relevant all over again, it became necessary to bring him back from the dead: this is precisely what Lagé Raho Munna Bhai (LRMB) does. Not surprisingly, Puritans, like a recent contributor to The Hindu Magazine, tend to disparage the ‘oversimplification’ and the ‘misrepresentation’ of the Mahatma’s philosophy in the film. Admittedly, in light of the vast corpus of Gandhi’s writings running into well over 90 voluminous volumes- personally, I can’t think of any other thinker who has contradicted himself more often during the constant if somewhat turbulent evolution of his ideas (to use his own words ‘...I claim for them nothing more than does a scientist who, though he conducts his experiments with the utmost accuracy, forethought and minuteness, never claims any finality about his conclusions, but keeps an open mind regarding them... Yet I am far from claiming any finality or infallibility about my conclusions... For me they appear to be absolutely correct, and seem for the time being to be final’) - it is virtually impossible to summarize his Thought within the structural constraints of contemporary cinema. Sir Richard Attenborough, who more than anyone else is responsible for the creation and popularization of the Gandhi-legend in mass media, took over three decades scripting his magnum opus, and still couldn’t quite succeed in satisfying all the Gandhians, each of whom prefers to ‘cast the Father of the Nation in his/her own image’. Rajkumar Hirani, the creator of LRMB, too, therefore can be forgiven the liberties he might have taken in resurrecting Gandhi. Even so, what does the LRMB-Gandhi represent?

At the heart of Mr. Hirani’s ‘Gandhigiri’ lies the New Testament concept of ‘Love thy enemy’. It is in total opposition to Bollywood’s most celebrated cultural icon that propelled Amitabh Bacchan to superstardom in the late ’70s- early ’80s: the Angry Young Man, who was only too happy to take the law into his own hands to achieve his ultimate objective: vindication by means of total annihilation of his enemy. If it is true that the icons we worship reveal something of ourselves- our hopes, aspirations and fears- as also the nature of the times we live in, then the cinematic rise of Mr. Bacchan mirrored the ascendance of yet another superstar on India’s political firmament: Sanjay Gandhi. Unlike previous superheroes, they didn’t subscribe to a Black & White morality but instead chose- rather bravely, one might say- to inhabit the in-between Gray. More often than not, breach of personal ethic- ‘thou shalt not kill’- was justified in the name of public good: the world after all is better off without the bad guys. Both took on the morass and corruption of the ‘System’ to the point of demolishing it altogether; both displayed little respect for the Rule of Law, which too was considered, in many ways, part of that System; both attained superstardom by means of untimely deaths (in Mr. Gandhi’s case, a real-life plane crash). Read More (आगे और पढ़ें)......

Friday, October 06, 2006

Notice: The Friedrich August Von Hayek Society


The Friedrich August Von Hayek Society (FAVHS) is a recently launched community on Orkut for those "Libertarians" influenced by the ideas of the Austrian thinker Friedrich August Von Hayek, and how they can be applied to shape the common and separate destinies of the world, particularly nations of the so-called Third World; and who share a critical belief in:
'FREEMARKET' (Ending of all existing trade-related, ideological and political 'hegemonies' in both national and international regimes);
MINIMUM GOVERNMENT (Role of Government confined chiefly to the preservation of Peace necessary for the functioning of Freemarket);
WELFARE AS COLLECTIVE RATHER THAN STATE RESPONSIBILITY (Increasing role of non-state actors in the creation and management of welfare-agencies);
ANTI-TOTALITARIANISM (The Protection and furtherance of the Individual's Right to Expression);
RECOGNITION OF MORAL STANDARDS IN INDIVIDUAL AND COLLECTIVE LIFE (To check the descent into Immorality on the false pretext of 'liberalism');
DESIREABILITY OF THE RULE OF LAW (Establishing Safeguards against Arbitrariness, particularly state-arbitrariness).

To join, click here.

AJ

Tuesday, October 03, 2006

THOUGHTS ON DUSSHERA

Each year, the Festival of Dusshera reminds us of the inevitability of Good banishing Evil: in all parts of the nation, the euphoria of Lord Rama's victory over his ten-headed adversary is revisited by setting afire gigantic Ravana-scarecrows stuffed with multicolored firecrackers that light-up the night sky.

I believe that there is a Ravana inside all of us, lurking beneath the surface and constantly fighting to get out: sometimes, on the pretext of religion, caste, self-importance, personal strife and even naked ambition, it propels us to unleash unimaginable monstrosities upon our fellow human beings.

Drawing inspiration from the eternal significance of this sacred day, I remind myself of the instances I might have allowed Evil, in all its several manifestations, to overcome me; and resolve firmly to banish it from my life, once and for all.

I wish you a Very Happy Dusshera.

Regards,

AJ

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1. No part of this Blog shall be published and/or transmitted, wholly or in part, without the prior permission of the author, and/or without duly recognizing him as such. (१. इस ब्लॉग का कोई भी भाग, पूरा या अधूरा, बिना लेखक की पूर्व सहमति के, किसी भी प्रकार से प्रसारित या प्रकाशित नहीं किया जा सकता.)
2. This Blog subscribes to a Zero Censorship Policy: no comment on this Blog shall be deleted under any circumstances by the author. (२. ये ब्लॉग जीरो सेंसरशिप की नीति में आस्था रखता है: किसी भी परिस्थिति में कोई भी टिप्पणी/राय ब्लॉग से लेखक द्वारा हटाई नहीं जायेगी.)
3. The views appearing on this Blog are the author's own, and do not reflect, in any manner, the views of those associated with him. (३. इस ब्लॉग पर दर्शित नज़रिया लेखक का ख़ुद का है, और किसी भी प्रकार से, उस से सम्बंधित व्यक्तियों या संस्थाओं के नज़रिए को नहीं दर्शाता है.)

CONTACT ME. मुझसे संपर्क करें

Amit Aishwarya Jogi
Anugrah, Civil Lines
Raipur- 492001
Chhattisgarh, INDIA
Telephone/ Fascimile: +91 771 4068703
Mobile: +91 942420 2648 (AMIT)
email: amitaishwaryajogi@gmail.com
Skype: jogi.amit
Yahoo!: amitjogi2001