Showing posts with label anuj sharma. Show all posts
Showing posts with label anuj sharma. Show all posts

Wednesday, October 27, 2010

A Star is Born: Anuj Sharma

(This article is the property of The Sunday Indian and part of their publication "Ratn-36".)


In 2000, my mother took me to watch “Mor Chhaiyyan Bhuiyyan”; most of the film’s cast and crew were present. Afterwards, we invited them home for tea. But the person I most wanted to meet was absent. I didn’t know his name back then. So, when I met the producers, I asked them “where is the guy, the naughty younger brother Kartik, who lit up the screen every time he was on it; the one who had the audience going gaga…” Before I could finish describing him, they proclaimed his name: Anuj.

A lot has happened during the last decade. Chhollywood, Chhattisgarh’s still-nascent film industry, has gone through a definitive cycle of Rise, Fall and Rebirth. There has however remained one constant: the ever-increasing endearment of Anuj Sharma to the people that speak and sing in his dialect, share his on-screen life, and hope someday to emulate his off-screen Rags to Riches story. I have personally borne witness to this phenomenon on countless occasions, not just when he is performing on-stage but also when we are doing simple everyday things like going for a drive, or having an ice cream or watching a movie. People, especially those one doesn’t generally take note of- the doorman, the auto-rickshaw driver, the maid, the quintessential ‘have-not’- seem to materialize out of nowhere just to shake hands with him, to touch him. And boy, does he touch them- not just physically (something his numerous heroines, no doubt, would vouch for!) but also, much more significantly, at a deeper emotional, ethereal level. This fact didn’t escape The Sunday Times of India when it recently did a one-page cover story on Anuj.

I am not a film critic. But Anuj comes across as something of a Chhattisgarhi Brando: even at his quietest moments, he simmers and sizzles; he is both Chocolaty Romantic Hero and Angry Young Man, all rolled into one. Trade-wise, he remains Chhattisgarh’s most bankable star: 9 out of the state’s 10 biggest-grossing films have Anuj as their lead and not one film has celebrated its Silver Jubilee which didn’t have him in it. To say the least, his producers are never disappointed. His foray into television led to the most-watched show ever in Chhattisgarh’s history, Folk Jhama-jham, on ETV-Chhattisgarh. I’ve seen posters of Anuj’s films not just plastered all over Chhattisgarh- more than any neta, in fact- but also in far-off corners of Bhagalpur (Bihar), where he is a household name. Professionally, he helped re-launch his bosom-friend, Prakash’s fledgling film career, when they made “Maya” (2010), the highest-grossing film in Chhattisgarh’s history. And once every year, he gives a free performance at his native town, Bhatapara, personally bearing all costs.

But the reason I’ve been asked to write this is not to narrate what everybody already knows about Anuj; it’s to tell what you don’t. For instance, he’s completely and totally devoted to his Amma, who raised him singlehandedly after his father passed away. (Amma is, by the way, the best Chhattisgarhi cook I know, and her jimikanda cooked in curd are to die for!) He loves his wife (whom he married out of love) and his newly arrived daughter, Anumita, who has brought him not only joy but also an unending string of hits! He is remarkably down-to-earth, and can keep smiling- not just with his lips, but with his eyes- for a longer time than anyone I know: at his wedding reception, his all-winning smile didn’t leave his face for 7 hours as he personally attended to several thousand guests!
I also know for a fact that he can sing better than he can act: every time Anuj sings, I can almost feel the divine. Also- and this is his big secret- he has ghostwritten tantalizing lyrics for some very titillating albeit hugely popular songs! (Bhoran debe ka, being one such number.) He also has his likes and dislikes, and in particular, one dislike: the shameless exploitation of Chhattisgarh’s immense cinematic talent by a clique of mindless cultural illiterates. (You can also listen to my podcast of Anuj's interview to know more about his views on the subject.) That is perhaps why he was unanimously elected as President of our state’s Film Artistes’ Association: to protect, and if necessary, fight for their often-trampled Rights. Not surprisingly, UNICEF has chosen him as their Goodwill Ambassador for Chhattisgarh.

From there, it’s just a hop-skip-and-jump to Politics. Realizing his immense potential in public life, I’ve often tried to shamelessly lure him into this world, but Anuj hasn’t yielded. No yet, anyway!
Read More (आगे और पढ़ें)......

Friday, April 04, 2008

SHOWCASE: VIVEK TANK, THE HUMAN SHEHNAI!



Vivek Tank is a national award winning flutist. He is also a very gifted human shehnai (note that he is not a shehnai-wadak but shehnai-incarnate). In this pod, he does a solo recital first; then accompanies Anuj Sharma in a duet. Enjoy!

AJ Read More (आगे और पढ़ें)......

Monday, March 24, 2008

A Day in the Life of Amit Jogi



People often ask me what I do for a living. This is what a typical work day looks like (thanks to SNT):

16th February, 2008
1100: 100th Anniversary of Christian Mela, Matkudeep (70 kms)
1200: Teravi function of Siyaram Kaushik's father, Bilha (30 kms)
1400: Anjor Singh's father's Dasgatr, Dalli Rajhara (70+90 kms)
1700: Dedication of Bajrang Bali temple, Parkhanda (Kurud) (90 kms+40 kms)
2100: Ankit Bagbahra's wedding, Raipur (40 kms)
2130: Prakash Pagaria's son's wedding, Raipur

On this day, for instance, we drove about 400 kms across four districts (Raipur, Bilaspur, Durg, Dhamtari) to attend 2 weddings and 2 funerals, & 2 public functions where I was required to make speeches. Not surprisingly, by the time we reached Parkhanda, we were already 4 hours late.

Most visits follow a pattern: you are welcomed to shouts of Zindabaad, drum beats and the lighting of fire-crackers, then you walk in a procession to the venue where they seat you on a stage, about 40-50 people- the notables of the village- garland you as people come to you with applications and other sorts of requests, then the speeches begin ending with yours, following which the organizers present you with a shawl or some such memento. After that- if you've still got time- you might be taken to the organizer's home for tea, snacks and a photo-session with his family and followers. This pattern, I believe, has endured unchanged from the days of Mahatma Gandhi, India's first mass-politician (if not before!).

The stage, for me, presents a dilemma: on the one hand, it does increase your visibility (i.e., even the back-standers can see you) but the flip-side is that it creates a 'distance' between the people seated on the ground and those atop the stage. That is why I make it a point to go through the crowd where it is at its thickest- shaking as many hands as I can while chatting with them randomly (specially the youth and children)- on my way to and from the stage. More than anything else, this last aspect tells me what I need to really know: to share in the lives- the joys and sufferings- of the people who've given my family so much love.

This clip above shows pictures of my visit to Parkhanda.


AJ



Read More (आगे और पढ़ें)......

Thursday, March 20, 2008

Kanha Escapade



After an exhaustive non-stop tour that began on the 16th of December last year, I decided that it was finally time for some rest. Consequently on the 25th of February, SNT, VN, Anuj and I sneaked off to the Kanha National Park: we spent one very happy day (and night) in the wilderness before a phone call rudely interrupted our brief idyll. These are some pictures of that time.
Read More (आगे और पढ़ें)......

Saturday, March 01, 2008

Showcase: Two Songs from Behind the Walls

(1)
Anuj Sharma and I recently spent an evening at Akhil's churning out tunes for some of the poems I had written during the time I was in jail. We intend releasing an audio-CD to accompany the book. In this clip, you can see the lyricist and the composer at work!



(2)
This is probably what a "finished product" of my collaboration with the hugely talented Anuj Sharma would sound like. Anuj's voice- and music- have the effect of transporting me back through space-time: to a cold and lonely cell in Raipur Central Jail where I feel once again the night-wind's eerily comforting embrace.

Read More (आगे और पढ़ें)......

Wednesday, October 18, 2006

SHOWCASE: Anuj Sharma on Chhattisgarhi Film

फिल्म समाज का आइना होता है. जब मुझे अपनी पहली फिल्म "मोर छइंया भुइंया" (M.C.B.) का ऑफर मिला था तब मैंने कहा था कि "मैं धोती बंडी पहनकर गले में गमछा डाल कर पेड़ के किनारे नहीं नाचूँगा" और मैंने फिल्म के लिए मना कर दिया था. दूरदर्शन ने जो आम जनता के बीच एक छत्तीसगढ़िया आदमी को प्रेसेंट किया था वो या तो लेद्गा था या भकला,इसी बात ने मुझे भी इस जवाब को देने के लिए मजबूर किया था. जब फिल्म M.C.B. ने परदे पर एक साधारण छत्तीसगढ़िया परिवार की कहानी को दिखाया तो कहीं ना कहीं हर छत्तीसगढ़िया को ये कहानी अपने से जुड़ी हुई लगी, और फिल्म को अपार सफलता मिली.छत्तीसगढ़ी फिल्म में दर्शक जिस अपनेपन को देखने के लिए जाते हैं अगर उन्हें वो मिट्टी कि खुशबू नहीं मिलेगी तो फिल्म असफल ही होगी.
Anuj Sharma, film actor, in a post to JAI CHHATTISGARH

Translates as follows:
Cinema is the mirror of society. When I got the offer of my first film “Mor Chhainya Bhuinya” (MCB), I categorically said “I will not dance next to a tree, wearing a dhoti and a gamcha around my neck”, and refused to act in the film. The presentation of Chhattisgarhiya man as either a ledga (country-bumpkin) or a bhakla (nincompoop) by Doorsharshan among the common man compelled me to give this reply. When the film MCB showed the story of a simple Chhattisgarhi family on screen, then every Chhattisgarhi felt that its story is linked at some level with their own, and the film got unprecedented success. The familiarity which audiences expect when they come to see a Chhattisgarhi film, if they don’t get the smell of that mitti (earth), then the film will inevitably be unsuccessful.


To listen to this blogger speak to Anuj on the state of Chhattisgarhi cinema, listen to my Podcast of 26th July 2008.

अनुज शर्मा से मेरी बातचीत सुनने के लिए, मेरे २६ जुलाई २००८ के पॉडकास्ट को सुनें.
AJ Read More (आगे और पढ़ें)......

get the latest posts in your email. ताज़े पोस्ट अब अपने ई-मेल पर सीधे पढ़ें

Enter your email address:

Delivered by FeedBurner

DISCLAIMER. आवश्यक सूचना

1. No part of this Blog shall be published and/or transmitted, wholly or in part, without the prior permission of the author, and/or without duly recognizing him as such. (१. इस ब्लॉग का कोई भी भाग, पूरा या अधूरा, बिना लेखक की पूर्व सहमति के, किसी भी प्रकार से प्रसारित या प्रकाशित नहीं किया जा सकता.)
2. This Blog subscribes to a Zero Censorship Policy: no comment on this Blog shall be deleted under any circumstances by the author. (२. ये ब्लॉग जीरो सेंसरशिप की नीति में आस्था रखता है: किसी भी परिस्थिति में कोई भी टिप्पणी/राय ब्लॉग से लेखक द्वारा हटाई नहीं जायेगी.)
3. The views appearing on this Blog are the author's own, and do not reflect, in any manner, the views of those associated with him. (३. इस ब्लॉग पर दर्शित नज़रिया लेखक का ख़ुद का है, और किसी भी प्रकार से, उस से सम्बंधित व्यक्तियों या संस्थाओं के नज़रिए को नहीं दर्शाता है.)

CONTACT ME. मुझसे संपर्क करें

Amit Aishwarya Jogi
Anugrah, Civil Lines
Raipur- 492001
Chhattisgarh, INDIA
Telephone/ Fascimile: +91 771 4068703
Mobile: +91 942420 2648 (AMIT)
email: amitaishwaryajogi@gmail.com
Skype: jogi.amit
Yahoo!: amitjogi2001