Friday, December 15, 2006

A Poem in Three Acts


This poem is in response to reading Manish Gaekwad's fascinating blog, The Alibi Of Life. I thank my namesake, Amit Tiwari for drawing my attention to it.

(1)
Last night
While leafing through
Pages torn from your Soul
I beheld
A sudden passage of
Flickering images:


Words, shadows
Songs
All wrapped in
An infinite Silence-

In hope poisoned with despair
I looked everywhere
But found you nowhere.

*
(2)
From beyond the void

A voice
Cuts across-

A mirror cracks:

Caught in its countless broken pieces
Are glimpses of doomed destinies, obscured identities,
Dismembered memories and forgotten histories

Of battles won and loves lost-
A commentary
On things at once
Momentous and momentary.

*
(3)
With blind eyes
The poet sees

Look, your Alaap has become
My Aleph.

AJ

dedicated to and inspired by the writings of the poets Rumi and Borges

Monday, December 11, 2006

Art: Saurav's Sketch

Wednesday, November 15, 2006

Personal: Mummy and the Kota bye-election

To be perfectly honest, the idea that anyone from my family would contest the bye-election to the Kota assembly constituency in Chhattisgarh did not cross our minds. Needless to say, it came as a surprise when the three Block Congress Committees- all of which were appointed by the PCC President, Shri Charandas Mahant- unanimously passed resolutions recommending my mother's name for the party ticket. Several others from the constituency felt similarly. While driving through this area to go to my paternal village Jogi-Saar to attend 'Nava Khayi'- a traditional festival where the first harvest is offered to the family deity, Jogi Baba- I was even more surprised to see that walls of mud-houses had already been painted with her name. I've also been told that 31 of the 34 Congress MLAs from the state- i.e., everyone except the LoP, Shri Mahendra Karma, his deputy, Shri Bhupesh Baghel and the incapacitated, Dr. Chetan Verma- have written to the Hon'ble Congress President, Smt. Sonia Gandhi, requesting Mummy's nomination.

My mother, Dr. (Mrs.) Renu Jogi, has never been in public life. Until my father's accident in April 2004, she worked as an ophthalmic surgeon and a professor at the Government Medical Colleges at Indore and Raipur, having graduated from CMC, Vellore. In fact, most, if not all, pre-final MBBS students have read her text-book 'Basic Ophthalmology' (Jaypee Publishers, New Delhi): like her, the book is simple and to-the-point. She has also co-authored a collection of short stories, Phoolkunwar (Raj Publication, Delhi) with my father besides contributing regularly to the popular Hindi monthly, 'Sarita'. Her book on 'Paediatric Nursing', published by the National Book Trust, was awarded a prize by the Union Ministry of Health and Family Planning.

Mummy is not new to Kota. When my father first fell in love with her in 1973-4, she was already quite popular as a beautiful young 'doctorni' working at the Mission Hospital in our native village, Pendra Road. Even after their marriage, she has remained very active in the area. There isn't a village in the entire region where she hasn't personally conducted an eye-camp. She was instrumental in organizing the 'Rajiv Gandhi Life Line Express'- a hospital-train- at Pendra Road and Kota, where thousands of villagers received life-saving on-the-spot medical treatment. In memory of my late sister, Mummy started the 'Anusha Self-help Group for Women': during the past five years, more than 10,000 women, many of them from Kota, Marwahi, Raigarh and the various Central Jails of the state, have received vocational training in traditional kantha (embroidery) work, bringing about the revival of 'Marwahi Art'. The 'Anusha Ashram' at Gaurella (also in Kota Vidhan Sabha) houses an old people's home, training-centre for girls and has undertaken massive afforestation drives in the township. She also opened the 'Muktidham', so that those abandoned by Fate may be cremated with dignity. Very recently, Mr. Nimrania, who supervises the daily working of the Anusha Ashray, was conferred the most respected citizen award by the township's mayor-in-council: his selection has been unanimous, cutting across party-lines.
Read More (आगे और पढ़ें)......

Tuesday, November 14, 2006

Naxalism: (L) The Evacuation of Muded

Last night, SPOs evacuated the village of Muded on their way to Bhopalpatnam. Over 700 villagers were forced to leave their homes. The specific instruction was: "take nothing except rations to last a week." I do not yet know where- to which particular 'base-camp'- they would finally be taken. Or how many will make it alive: many might well manage to escape to the neighboring states of Andhra Pradesh and Maharashtra; quite a few will be shot, then dressed up in Naxalite uniform; the remainder shall be confined within slum-like 'base-camps', their lives no different from cattle. All hope of Return- all Hope- is dying out.

Today the SJ was scheduled to reach Patnam. It is not far-fetched to presume that families of those 28 brave elected representatives who had the courage to come all the way to Raipur, having traveled by a circuitous route for more than twelve days and nights, to speak out against SJ will be specifically targeted.

Suddenly, I feel very helpless.

AJ

Post Script:
Perhaps there is Hope? Here is a post from the erudite and tireless Anoop Saha:

"According to the initial reports, at least 60000 people attended the aamsabha today in Dantewada to protest against the Essar steel plant and Salwa Judum. People came from as far as Konta to attend the rally, which were addressed by leaders from CPI. The rally was entirely peaceful.

The district administration of Dantewada had refused permission to hold this rally at least three times. Finally the organizers went to the CG high court, which asked the district administration to allow this event. It is ironical that on the one hand armed Salwa Judum cadres are allowed to roam around freely in Dantewada and continue their killing spree, and a peaceful mass rally against a private company is blocked by the executive.

Thanks and Regards,
~Anoop"

Thursday, November 09, 2006

Naxalism: (K) Voices from Bhopalpatnam

Note: I've recently been accused of being 'a Naxalite supporter' by Naxal Terror Watch: apparently, a link to an entry in this blog appears in one of the pro-Naxalite websites. According to this view, I seem to have only two choices: either I can be a member of the CP (Maoist) or a supporter of Salwa Judum. The third option, of speaking the Truth, does not exist for me. To set the record straight, I do not subscribe to such a dogmatic interpretation of Humanity. Thankfully, neither do these brave people of Bhopalpatnam, whose long suppressed voices, I hope, will begin to find utterance through this article.


The leaders of Salwa Judum (SJ) never tire of saying that it is ‘a spontaneous and peaceful people’s movement’ against militant-Maoism: this is what gives SJ its moral and political legitimacy; this is why we stop short of condemning SJ but merely criticize the way it is being conducted (‘provide security and training to the tribals first before asking them to take-on the Maoists’).

Two nights ago, 28 elected representatives from Bhopalpatnam block of Bijapur (in Dantewada 'revenue' district) appeared almost out of nowhere in the drawing room of our Raipur residence. It had taken them twelve days to get here. This is their story.

*

Mrs. Shashikala Dhruv, Chairperson, Janpad Panchayat, Bhopalpatnam:
"On 19 June this year, we were driving to Dantewada to see the C.O. regarding pending works in our janpad. Our jeep was stopped at the ghati. It was searched thorougly. An SPO got in and asked us to keep driving to Bijapur. At Bijapur, we were taken to the SJ base-camp. We were asked to get out of the jeep. A lady SPO asked for my handbag. Before she could snatch my handbag from me, I quickly took out my janpad seal and threw it away because I saw that other members were being beaten to sign some document and put their seal on it. My handbag was searched thoroughly. All the papers relating to janpad work were thrown away. Then we were taken inside a room. Narad Mandawi asked me where I was going. I told him that we were going to the C.O. office in Dantewada. He abused me and asked the lady SPO to beat me. She hesitated saying that 'how can I beat a woman?' Narad slapped her and said that "what's so special about ladies, are they 'topchands' (bigshots)?" He told her that if she doesn't beat me, he will beat her. Then the lady SPOs- there were four of them, aged between 17-18 years- began to pull my hair and hit me. It was around 11 'o clock in the morning. My 3 year old son and 12 year old niece (elder sister's daughter) were with me. They began to shout and scream. They continued to hit me. I don't know when I fell unconscious. There were 5 other women in the room along with the two children and 4 lady SPOs. It was a small room with no electricity. At 7, somebody brought us dinner, rice and lentils (daal-bhaat). I didn't eat much. The 4 lady SPOs said that "if we don't hit you, they will hit us." After dinner, 4 new lady SPOs came. They again started to beat us. I don't remember for how long but I fell asleep. All the time, they kept using the filthiest abuses against us in Hindi. It surprised me that ladies could speak such filthy language. Next day at 4 in the evening, we were given chuda (edible mixture). Nadar Mandawi, Chinnaram Gota, Madhukar Kondra, Hanif Khan and others asked us to sign on a blank piece of paper. They asked me put my seal on it but I told them that I didn't have it with me. Then Narad took our photograph with his mobile phone camera. We were then asked to 'get out quickly'. They told us that if we said anything about this to anyone, we would be killed."


Q. Why were you going to see the C.O.?
A. No work was being done in our janpad. The last time we had met the C.O., he released a measly sum of Rs. 2000 to each panchayat, which is not enough even for tea and snacks (chai-nashta). So we all decided to go together to ask him to release the allotted fund (moolbhoot rashi) at least.

Q. Why did the lady SPOs abuse you in Hindi? Why not in Halbi or Gondi?
A. In Bhopalpatnam, we speak mostly Telugu. We don't know Halbi. So they abused us in Hindi.
Read More (आगे और पढ़ें)......

Monday, November 06, 2006

Comment: SADDAM'S SENTENCE

The verdict- death by hanging- shouldn’t come as a surprise. The moment Saddam Hussein, Iraq’s Baathist autocrat, was captured by American troops from his Tikriti hideout, betrayed by his own bodyguards, his end had already become a fiat accompli: if anything, it was not so much a question of time as it was of process. To be more precise: what process- procedure- to be followed to bring this former head of state’s head to the scaffold? For his captors, the objective of the whole exercise- ‘charade’, as skeptics are prone to term it- has been to ensure that he doesn’t go down as a martyr: that his death doesn’t become the rallying-point for resurgent pan-Arab, militant ‘Islamic’ fundamentalisms. Did they- the overlords of the ‘War Against Terror’- succeed?

Certain features about Mr. Hussein’s trial need to be noted. First: it wasn’t ‘in camera’. Images of a belligerent ex-dictator, shouting at his judges and questioning their legitimacy to try him, were beamed down ‘live’ to millions of television viewers worldwide. In the ensuing din, the specific charge for which he was being tried- the genocide of 148 shias ordered by him in Dujail in his capacity as head of state in 1982 following a failed assassination attempt- did not get the coverage his captors might have hoped for. Still, there is something to be said for the way his trial was conducted: aside from the murders of lawyers, resignations of judges, death-sentences and the inevitable theatrics, it was a relatively 'humane' affair- sans handcuffs, chains, signs of mutilation and torture etc.- as can be evidenced from the photograph above of the smiling Mr. Hussein, possibly sharing a joke with his co-accuseds. In fact, John Simpson of the BBC noted that he could see a definitive smile on Mr. Hussein's face as he was led out of the courtroom after being sentenced for the simple reason that "he had accomplished exactly what he had come for."
Read More (आगे और पढ़ें)......

Sunday, November 05, 2006

An Obituary in Hindi: काशीराम

This is the Hindi translation of my obituary on Late Shri Kashiram. I am grateful to Shri Shailesh Nitin Trivedi (of JAI CHHATTISGARH), Shri Amit Tiwari and Shri Agnihotri (of Naiduniya) for their suggestions.


Please click on images to enlarge:
Read More (आगे और पढ़ें)......

Thursday, November 02, 2006

Preview: "िदवारों की धङकनें": िकनारा- A poem for Mummy's Birthday



Here is another poem from my anthology "िदवारों की धङकनें" called "िकनारा". It was written from jail, as a sort of present for Mummy- the only gift I could give her on her birthday, along with a rose I had grown in the high security prison complex yard I was jailed in.

Please click on image to read:

Preview: "िदवारों की धङकनें"

For the first time, I publish excerpts from "िदवारों की धङकनें", an anthology of poems composed during my over ten months in Raipur Central Jail. The first page is an introduction to the anthology, explaining how- and why- it came into being. The second page is a poem I dedicated to my parents. Readers comments, as always, are welcome.


Please click on images to read:




AJ

िहन्दी में पहली बार


मैं हितेन्द्र िसंह और अनूप साहा का आभारी हूं िजनके कारण आप इस ब्लॉग पर ये िलपी पढ़ पा रह हैं.

अमित जोगी

Wednesday, November 01, 2006

PLAY: चल बे कपङे उतार: Story Board

The storyboard of the play runs something like this. Vikram, a young boy of 18, is brought through the spectators’ gallery to the stage, escorted by a cop, who knocks at the jail gate (the curtain). It opens, like Ali Baba’s cave, and Vikram enters ‘the world of prison’: the first sentence he hears is Chal bé kapadé utar (go on, strip). From then onwards, till the very end, he remains naked, even when clothed, his action, even his thoughts, always visible to the surveillance devices of the modern Panopticon. In the first act, he and another inmate, Jai, become objects of an auction: two numberdars (that’s what they call Convict Overseers, chosen from among those sentenced to life imprisonment, to help with the day to day running of the jail administration etc.) buy them for Rs. 300 each, from the officer incharge of the Warrants Department (responsible for the allotment of barracks). However their bid is ultimately foiled by Dilip- the play’s central character- who reminds the concerned officer that since they are under 21, they should be sent to the ‘Kishor Ward’ in accordance with jail manual provisions. The second act takes place in the ‘Kishor Ward’: Vikram befriends Raju: ‘the only convict (he finds) in jail who doesn’t declare himself innocent’. The numberdar incharge of Kishor Ward, Udu, claims that Jai is his friend’s son, only to sleep with him later in the night. Vikram and Raju witness this: Raju tells Vikram that this is what Jai has to do if he wants a better lifestyle in jail; he also points out that Jai, from the sounds that emerge, doesn’t seem to mind. Next morning, over breakfast, Vikram confronts Jai, who confirms what Raju had already told him (‘a hole is a hole, whether in front or behind!’); he also propositions Vikram to a ménage à trois.
Read More (आगे और पढ़ें)......

Monday, October 30, 2006

A NEW ME: Ten Prescriptions for Changing Myself

Note: This post has been published by Blogbharti.
A dentist-friend recently emailed me a few prescriptions on how I should go about changing myself. Not surprisingly, he holds me singularly responsible for my father's ouster from office. [Papa's government was voted out of power from Chhattisgarh in December 2003: thus began our family's over three-year long 'winter of discontent'.] As things stand, he is not alone in thinking so: Ms. Saba Naqvi, writing for the Outlook magazine, described it rather succintly as 'son-stroke'. I am taking the liberty of publishing these prescriptions followed by the ATR (action taken report) in brackets. I hope that readers of this blog will be gracious enough to offer similar constructive suggestions of their own.

AJ



1. Change your photo of a dreamer to a smiling one in your blog site.[What do you think of this one?]

2. Don't write too much on your site, keep it short and simple - so that people can understand and correlate you with themselves. [Visitors will note that posts have gotten shorter, and the language simpler]

3. Don't project yourself to be a cut above the rest - example your favourite movies, music or books you have read/written, to tell you bluntly - no one is frankly interested, all your Orkut friends will try to flatter you, citing your vast knowledge. You should try to project yourself as a normal human being, with whom people can resemble themselves. People of Chhattisgarh don't understand French, they understand Chhattisgarhi. [Interests are listed to form associations with like-minded people; nothing else]

4. Try to win peoples heart rather than trying to brainwash and hijack the brain of 'Boley - Bhaley' people of Chhattisgarh. [How does one win people's hearts? I thought the best way to go about it was by being absolutely honest: telling precisely what I feel. This is what I've done in my blog.]

5. It is not necessary that you serve the people of Chhattisgarh if/when you are in power. When in opposition, your voice is heard more, and seems to be genuine, it's the right time for image building. [Totally agree]

6. It will look as opportunist when you start saying something just 1 year before elections, people's memory is not short, esp. in Chhattisgarh. [Yes]

7. Explain/Describe 1 point at a time, in simple manner to the people, to make it reach their heart. This mistake was done by your father too, I think, so much was tried to explain to people in such a short span, that always it went over their heads. In his first term itself, he opened all his cards. The upper caste people became afraid for their existence in the state. [see point no. 2]

8. No doubt you raise voice for tribals in the state, what about people of other communities, who have worked hard and grown here. If you are a projected leader of Chhattisgarh, you have to represent everyone. Raise voice for upper caste people too, sometimes they are also deprived of justice. [Yes: when specific instances of injustices are brought to my notice against anyone, including people from 'the upper castes', I make it a point to raise it. See for instance, the blog entry on 'A Killing in Dornapal', which describes the killing of a Bengali shopkeeper by a soldier of the armed forces]

9. Move in a two-wheeler, everywhere in Chhattisgarh, (except Bastar) [For a variety of reasons, I am not allowed to drive. Also, I don't own a car. So I have to depend on friends for my transportation needs. Despite warnings to the contrary, I do not have security. The two-wheeler idea does sound good though, if my family- especially Papa after his accident- will permit me]

10. Time is less, Congress is fast loosing ground in Chhattisgarh. It is getting 'Disconnected' and 'Disoriented' from the common man at a fast pace. The Kauravs have again started spreading propoganda at public places against Congress. Who else except you, has to rise, seize the opportunity and show people the way...[If anything has to be done, we have to do it together. I cannot do it alone. I realize my limitations]

to be continued..

Sunday, October 29, 2006

SHOWCASE: FOUR SELF-PORTRAITS


Title: Self in Technicolor
Date: November 11, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi




Title: Self in Technicolor- Sepia imprint
Date: October 29, 2006
Place: Anugrah, Raipur
Artist: Amit Aishwarya Jogi




Title: Trial- At the Court of III ASJ Mr. Shiv Mangal Pandey
Date: November, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi



Title: Cellular
Date: November 11, 2005
Place: High Security Cell, Raipur Central Jail
Artist: Amit Aishwarya Jogi

PLAY: (A) Indian Express on Chal Bé Kapadé Utar

Note: Today's Indian Express newspaper carries a feature on my forthcoming play entitled Chal bé kapadé utar. It was written during the time I was incarcerated in Raipur Central Jail, and is being directed by Mr. Rajkamal Naik of Koutuk. The sketch at the bottom is of Dilip Chhatri, C.O. (Convict Overseer), who is its principal character.


Express News Service

Meet Jogi jr, playwright post-prison

Nitin Mahajan
Posted online: Sunday, October 29, 2006 at 0000 hrs

Raipur, October 28: Chal be kapde utaar (go on, take off your clothes).” These are the words every new entrant in a prison here hears. This is also the title of a play by Amit Jogi, son of former Chhattisgarh chief minister Ajit Jogi, who was an inmate of the Raipur Central Prison for about 10 months.

Amit had been booked for the murder of NCP treasurer Avtar Singh Jaggi.

The play, compiled from Amit’s notes during his 10-month stay at the prison, attempts to portray life inside prison. According to junior Jogi, the literary attempt is an effort to come to terms with reality; the inhuman environment, rampant homosexuality inside the prison walls and gang politics.

The characters in the play tell their own story. One of them is implicated for murder while another is an innocent person who has been booked under a false case and forced to spend the best years of his life in prison. Refusing to clarify whether one of the characters in the play was based on himself, Amit said he wanted to bring out the real prison life in a form accessible to everyone.

“Despite tall claims about prison reforms, the situation within the confines is shockingly different,” Jogi said.

“Once inside the walls, everyone feels naked as penetrating eyes are always looking at each and every action of the inmates,” he added, explaining the title.

Thursday, October 26, 2006

POETRY: (A) Liable (translated from Hindi)

Note: In the translation, I have put the poem’s context in a distant past. The reason is simple: verses for the Hindi came to me while I- the man ‘in a box of wood’- stood in the courtroom. The English translation was done when those verses, once alive, had become stilled, in the solitude of my cell. [Photograph below shows 'a poet in court', courtesy The Hindu Newspaper]



Caught in a web of words
A worried man once stood
In a box of wood:
Martyr
Drunk in Silence’s Embrace.

If he heard something, he nothing said
If he said, nobody anything heard:
The why O why
Did that Man’s shadow-
Like Moon fallen from the Sky
Upon a River of Tears- by itself flow
Through terrified vales
Of terrible tales?

As if he had known
From Centuries before
Destiny’s Destination.


Raipur Central Gaol,
March 3, 2006

Sunday, October 22, 2006

From One Computer to Another: Shubh Diwali, Eid Mubarak etc...

Note: This post has been published in Blogbharti.
A Dumbed-down Deepavali?

This holiday season, I shall not talk of the significance- the multiplicity of meanings- of religious festivals for our times, ‘when the globe has shrunk to about the size of a grapefruit’, or even the symbolism of ‘the happy coincidence’- it’s not every year that Diwali and Id are celebrated one day after the other- as a Divine Call to strengthen interfaith harmony against teeming mutual suspicions and xenophobias. I will instead deliberate briefly on the role of communications technology in transforming interpersonal relationships during festivals: put simply, I will look at the way the Internet- emails, instant messages (IMs)- and SMSs have changed the way we ‘greet’ each other.

Unhappily enough, I’ve been in bed: the consequence of a viral epidemic. Hence my capacity to respond to the countless emails, SMSs, scraps and messages I’ve received has become rather limited. As always, technology, the contemporary Super Man, comes to the rescue: all I’ve to do is type this down, and with a click of a button, everybody who I’ve ever known is blissfully reading this, soaking in the warmth of my good wishes- or not. This is where I’m wrong: the chances that anyone of my recipients will actually read all the way down to this is, for lack of a better word, zilch. I console myself: after all, it’s the gesture- the sentiment- that counts. They will at least know that I responded, if not how precisely I did so.

Three trends can be discerned from what I’ve just described. First, ‘content of communication’ has become secondary to the ‘act of communicating’ itself. We don’t read because we pretty much know in advance, even before the SMS icon flashes on the mobile screen, what to expect. It’s got nothing to do with empathy or even telepathy. The messages, they’re all the same. This brings me to the second point: much as I hate to use the expression, the commonality of content- the way one man’s received message becomes another's forwarded message, forming ‘message-chains’ long enough to cover the distance from here to that recently discovered but still unnamed planet beyond Pluto (in some cases, we don’t bother to alter the sender’s name from the plagiarized text-body)- is reflective of a collective ‘dumbing down’. Quantity, as we all know, cannot be a substitute for Quality.

Last and most troubling, I’m compelled to ask: has digital technology replaced personal obligation? Look at it this way, I might just be dead inside my bed, but my computer- that sweet, super-intelligent entity happily humming away on my desktop- will not fail in its duty to send you this, just as your computer or mobile will not fail in its duty to shoot off an instant reply. Machines greeting each other? Is this what our festivals have dumbed down to?

With that thought, I wish you Happy Holidays!

AJ

Film Recommendations for Diwali and Id

Looking for God
I’ve spent this Diwali in bed, thanks to an epidemic of viral fever. My namesake, Amit Tiwari, brought home three DVDs to keep me entertained during the few waking hours I’ve before the relay-course of medications begin to make me drowsy all over again: Woody Allen’s Match Point, Duncan Tucker’s Transamerica, and the French-Canadian filmmaker, Jean Marc Vallée’s C.R.A.Z.Y. Unlike his previous recommendations, all of them were quite simply brilliant.

Mr. Allen’s film marks a break from his earlier repertoire: Match Point isn’t an ‘intellectually funny’ movie; it isn’t even set in New York. Put briefly, it’s the story of a tennis coach who must choose between lust (his passion for a struggling American actress) and happiness (marital bliss with a wealthy British heiress): or as the character played by Jonathan Rhys-Myer says, between ‘good and luck’. Ultimately, for Allen, good- and God- don’t exist. What’s more: in this case, we, the audience, don’t want Him to intervene, even as Mr. Rhys-Myer’s character turns wickedly immoral.

Mr. Tucker’s Transamerica explores the cross-country relationship between a transsexual woman, played superbly by Felicity Huffman, and her newly found bisexual hustler-son, played by Kevin Zeger. The scene when Ms. Huffman tells Mr. Zeger’s character that she is really his father is to die for. Again: Mr. Tucker, like Mr. Allen, irreverentially shuns all moral judgement, in what is essentially a celebration of Freedom of Expression.

Mr. Vallée’s C.R.A.Z.Y. is a sympathetic film about the childhood and youth of a Quebec man coming to terms with his sexuality, especially with relationship to his conservative family, which includes his parents and four brothers. The title of course is a tribute to Patsy Cline’s number, and becomes a character in itself in the movie. Once again, God remains notably absent; or if He does make his presence felt, it is in a most enigmatic- but ultimately redeeming- way.

I recommend them all highly.

Happy Holidays!

AJ

Wednesday, October 18, 2006

SHOWCASE: Anuj Sharma on Chhattisgarhi Film

फिल्म समाज का आइना होता है. जब मुझे अपनी पहली फिल्म "मोर छइंया भुइंया" (M.C.B.) का ऑफर मिला था तब मैंने कहा था कि "मैं धोती बंडी पहनकर गले में गमछा डाल कर पेड़ के किनारे नहीं नाचूँगा" और मैंने फिल्म के लिए मना कर दिया था. दूरदर्शन ने जो आम जनता के बीच एक छत्तीसगढ़िया आदमी को प्रेसेंट किया था वो या तो लेद्गा था या भकला,इसी बात ने मुझे भी इस जवाब को देने के लिए मजबूर किया था. जब फिल्म M.C.B. ने परदे पर एक साधारण छत्तीसगढ़िया परिवार की कहानी को दिखाया तो कहीं ना कहीं हर छत्तीसगढ़िया को ये कहानी अपने से जुड़ी हुई लगी, और फिल्म को अपार सफलता मिली.छत्तीसगढ़ी फिल्म में दर्शक जिस अपनेपन को देखने के लिए जाते हैं अगर उन्हें वो मिट्टी कि खुशबू नहीं मिलेगी तो फिल्म असफल ही होगी.
Anuj Sharma, film actor, in a post to JAI CHHATTISGARH

Translates as follows:
Cinema is the mirror of society. When I got the offer of my first film “Mor Chhainya Bhuinya” (MCB), I categorically said “I will not dance next to a tree, wearing a dhoti and a gamcha around my neck”, and refused to act in the film. The presentation of Chhattisgarhiya man as either a ledga (country-bumpkin) or a bhakla (nincompoop) by Doorsharshan among the common man compelled me to give this reply. When the film MCB showed the story of a simple Chhattisgarhi family on screen, then every Chhattisgarhi felt that its story is linked at some level with their own, and the film got unprecedented success. The familiarity which audiences expect when they come to see a Chhattisgarhi film, if they don’t get the smell of that mitti (earth), then the film will inevitably be unsuccessful.


To listen to this blogger speak to Anuj on the state of Chhattisgarhi cinema, listen to my Podcast of 26th July 2008.

अनुज शर्मा से मेरी बातचीत सुनने के लिए, मेरे २६ जुलाई २००८ के पॉडकास्ट को सुनें.
AJ

Naxalism: (J) DORNAPAL KILLING

A Bengali shopkeeper, Shekhar, was shot dead at point-blank range at Dornapal yesterday by ‘unidentified assailants’.

This is what really happened: a jawan (policeman) of the Naga battalion entered the shop with the purpose of buying an undergarment; the shopkeeper asked him Rs. 30 for it; the jawan insisted that he wouldn’t pay more than Rs. 15; a quarrel broke out between the two; the jawan took out his weapon, and fired. The abovementioned sequence of events has been confirmed by reliable sources, including eyewitnesses, who wish to remain unnamed.

As of today, the entire district administration, along with a certain Mr. Kushwaha, a Salwa Judum leader and Mr. Mahendra Karma’s Number Two, has been camping at Dornapal, trying to ‘persuade’ members of Shankar’s family to lodge an FIR (First Information Report) against ‘unidentified person(s)’.

This is the first specific case of human rights violation, involving directly a member of the armed forces, to have come to light, if only because the victim is a non-tribal. The shocking aspect is that this killing did not happen in a remote village but in the largest SJ ‘base-camp’, where more than 7000 uprooted tribals are being kept.


AJ

Personal: Roza Iftar at Home

The photographs here were taken at the Roza Iftar party hosted at our Raipur residence, 'Anugrah', on October 7, 2006.

Seated (left to right) Chaitram Sahu, MLA (Bhatapara); Dr. (Mrs.) Renu Jogi; Mrs. Veena Seth, First Lady of Chhattisgarh; H.E. Lt. Gen. K.M. Seth, Governor of Chhattisgarh; Mr. Ajit Jogi, MP; Mohammed Akbar, MLA (Virendranagar); Amarjit Bhagat, MLA (Sitapur). This blogger can be seen standing between the two elegant Ladies.

This blogger serving 'biryani' to the Rozdaars.

This blogger greets the Rozdaars after Iftar.
AJ

Monday, October 16, 2006

NAXALISM: (I) A CONGRESS RETHINK ON SALWA JUDUM?

Mrs. Sonia Gandhi, the UPA leader and Congress President, addressed a public meeting at the Rajkumar College Ground, Raipur on October 14 2006. This was her first visit to Chhattisgarh after the formation of the UPA Government at Delhi. In her speech, she categorically said that 'a new approach' is needed to address issues raised by Naxalism; she also stated that development of tribal regions, and not guns, are the solution to what is principally 'a socio-economic problem'. [This incidentally is the conclusion- and recommendation- made by the AICC Task Force constituted by her to study various aspects and possible solutions of the Naxalite issue.]

Most political commentators noted that Mr. Mahendra Karma, the leader of state-sponsored Salwa Judum (SJ), found himself isolated: not one person from the Bastar delegation, including the two Congress MLAs (Mr. Kawasi Lakma from Konta and Mr. Rajendra Pambhoi from Bijapur) whose constituencies have been most affected by the SJ-Maoist conflict, supported the continuance of the Union's (read: Ministry of Home Affairs) support to SJ.

What I would like to know of course is this: will the tribals be allowed to return to their villages, if and when they are permitted the option of leaving SJ base-camps, in which they continue to languish under the most inhuman conditions? For unless that happens, there can be no end to the madness that rages in Dantewada.

Regards,
AJ

Sunday, October 15, 2006

Personal: Papa-Mummy's 31st

The photograph here shows (from left) this blogger, Papa and Mummy at an informal luncheon hosted at our Raipur residence to celebrate their 31st wedding anniversary on October 8, 2006. On the background wall, are two photographs of my late sister, Anusha.

I wish them many, many more happy years together!


AJ

Thursday, October 12, 2006

Restoring Muraliguda: The Tribal Bill, c. 2005

Note: This was the last article I had written before going to jail in July last year. It is reproduced here without any changes. The Tribal Bill is still pending passage by the Parliament. Certain things never seem to change.

Inset: A Young Bastar Maharaja


The end back to its beginning,
The beginning back to its end

Anusha Jogi,
“Aitia” (unpublished)


(1)

Mangoes the Size of Watermelons

Not far from Konta- the southernmost frontier of Chhattisgarh- is a tiny hamlet that has mangoes the size of full-grown watermelons, and just as juicy. To reach it, you’ve to take a left from the Dhaba- the only one on the Konta-Sukma stretch of the National Highway, and perhaps even more creditable, managed entirely by a group of robust women- and then go past the bombed-ruins of a Panchayat building and twisted-gnarled electric-poles until a point where the road suddenly ends. From here on, follow your nose, or if you’re instincts have already abandoned you, then simply listen to the sound of water until you spot a circular mud-hut with a conical bamboo-thatched roof. [This, as the erudite observer might have guessed, is- or was- a ‘Gotul’.] You’ve reached Muraliguda. Do not be frightened by the absence of humans. Just outside that hut, is a menacing-looking rod. Pick it up and start beating the animal-skin covered drum, hung from the centre of the hut’s ceiling.

A fraternity of adolescents should appear, equipped with bows-and-arrows. You know almost instantly that they’ve been out on a hunt: feathers still stick at the corner of one member’s lips, revealing that the creature’s consumption was accomplished in somewhat sloppy haste. Confront them for confirmation: tribals, as a rule, make bad liars. Then, if you’re really lucky and get them to trust you- as I did- they might even teach you how to shoot arrows. Spend some more time with them and you’d find your legs wrapped midway around a tall tree-trunk as one of them pours cold, white salphi into your gaping mouth from a vessel that is nothing but the sun-dried hollow of a pumpkin.

Now, isn’t that a Kodak-moment?

Scratch the surface, and the idyll cracks: none of these adolescents have heard of school; most of them haven’t been beyond Konta; malaria is commonplace; there isn’t one manned primary healthcare centre in a fifty-mile radius; the road exists only in one’s imagination; only recently, my salphi-offering friend’s mother died in childbirth. You want to do something- anything- to make their life less intolerable, but they tell you that there’s nothing one can do. Didn’t the Mahatma proclaim that ‘India lives in her villages’? Not here, in Muraliguda: India dies, many, many times over. Building that road, you see, would mean cutting down thirty-seven trees and trimming four hundred and sixty-seven branches. And the PHC and the school and the electricity, well don’t even think about it: whatever would happen to the Bastar-bison? And what of India’s future, the sustainability of our endangered ecologies, the continued survival of our species on this planet? Surely, saving the lives of Muraliguda-mothers and building a future for their children isn’t worth putting so much at risk? In a world where everything is about choices made after careful cost-benefit analysis, I guess not- but that’s not the point.
Read More (आगे और पढ़ें)......

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CONTACT ME. मुझसे संपर्क करें

Amit Aishwarya Jogi
Anugrah, Civil Lines
Raipur- 492001
Chhattisgarh, INDIA
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